Each piece I make in paper clay is unique. Nothing is weighed or measured; everything is done by eye; even my blend of white earthenware slip and home-made paper pulp differs slightly each time I make it. The clay’s added strength in its green (wet) state gives the material its extensive creative potential; it can be torn, cut, folded or extruded to produce lightweight but practical pieces.
The clay settles into place under my guidance rather than control. I think I have been drawn to this way of working as a reaction against my natural tendency for perfection. I wanted to find out what would happen if I ‘let go’ and let the clay lead me rather than the other way round.
I retain the link with the clay’s paper component by leaving many of the edges rough or torn, like hand-made paper, and sometimes introducing office accessories such as metal paper ties. Once fired, I apply highly coloured glazes to compliment the shape and add life to the pieces.
I am always experimenting with new shapes, techniques and styles because the possibilities are endless and I have an aversion to repetition.
